Let’s Revisit "Praise and Worship Music is Praise But Not Worship"
Most articles in the blogosphere have a very short shelf life, which is why I am quite surprised that an article I posted on Chant Café on 2 June 2011 keeps reappearing on blogs and in my social media newsfeeds every so often. Why Praise and Worship Music is Praise and Not Worship seems to keep being resurrected, which I can only surmise because the discussion it continues to elicit is still quite relevant, and the questions it raises have not been answered to everyone’s satisfaction. What’s more, following the comments on social media on the article has been very interesting, and I think telling about where we are now with regards to the situation of praise and worship music in liturgy. Perhaps a revisit is in order.
- P&W music assumes that praise is worship.
- P&W music assumes that worship is principally something we do.
- P&W music assumes as its first principle relevance.
- P&W music assumes as its second principle the active participation of a certain age group.
- P&W music self-consciously divides the Church into age and taste groups.
- P&W music subverts Biblical and liturgical texts during the Mass.
- P&W music assumes that there can be a core of orthodox Catholic teaching independent of the Church’s liturgical law and tradition.
- P&W music consciously manipulates the emotions so as to produce a catharsis seen as necessary for spiritual conversion.
- P&W music confuses transcendence with feeling.
- P&W music denies the force of liturgical and musical law in the Church in favour of arbitrary and individualist interpretations of worship.
- P&W music prizes immediacy of comprehension and artistic ease over the many-layered meaning of the liturgy and artistic excellence.
- The Church’s musical and liturgical tradition is an integral part of worship, and not a fancy addition.
- While Praise is a high form of individual and small group prayer, it is not Worship as the Church understands the corporate public prayer of the Liturgy.
- Worship is not principally something that we do: it is the self-offering of Jesus Christ to the Father in the Holy Spirit, the fruits of which are received in Holy Communion. Worship is Sacrifice and Sacrament, not Praise.
- Relevance is irrelevant to a liturgy which seeks to bring man outside of space and time to the Eternal.
- Participation in the liturgy is principally interior, by the union of the soul with the Christ who celebrates the liturgy. Any externalizations of that interior participation are meaningless unless that interior participation is there.
- The Church’s treasury of sacred music is not the province of one social-economic, age, cultural, or even religious group. It is the common patrimony of humanity and history.
- The Church must sing the Mass, i.e., the biblical and liturgical texts contained in the Missal and Gradual, and not sing at Mass man-made songs, if it is to be the corporate Worship of the Church and not just Praise designed by a select group of people.
- Orthodox Catholic teaching on faith and morals must always be accompanied by respect for the Church’s liturgical and musical teaching and laws.
- The deliberate intention to manipulate human emotions to produce a religious effect is abusive, insincere, and disrespectful of God’s power to bring about conversion in the hearts of man.
- While music does affect the emotions, sacred music must always be careful to prefer the transcendent holiness of God over the immanent emotional needs of man.
- The Church’s treasury of sacred music inspires and requires the highest attention to artistic excellence. It is also an unfathomable gift to the Church, and must be presented to the faithful so that they may enjoy that rich gift.