Archive for the ‘Catholic Entertainment’ Category

CMAA and NLM

Shawn has announced already at the New Liturgical Movement blog that the Church Music Association of America will be the new sponsor of the NLM. I’ll be published and editor and Gregory DiPippo will be the managing editor. Others will be involved to e…

On Changing Hymn Texts

As mentioned in a comment by Drew Royals below, Liturgicam Authenticam legislates a kind of conservatism regarding hymn texts in #108.

Sung texts and liturgical hymns have a particular importance and efficacy. Especially on Sunday, the “Day of the Lord”, the singing of the faithful gathered for the celebration of Holy Mass, no less than the prayers, the readings and the homily, express in an authentic way the message of the Liturgy while fostering a sense of common faith and communion in charity. If they are used widely by the faithful, they should remain relatively fixed so that confusion among the people may be avoided…

This point seems carefully worded. The legislation does not say that the texts must be absolutely fixed, but relatively fixed. There might be compelling reasons to change the wording of a hymn. Generally speaking, however, it is pastorally more sensitive to keep the wording of hymns steady over time.

Actual abbey music more popular than Downton Abbey music

As reported by the Catholic PR Wire:

ANGELS AND SAINTS AT EPHESUS from the Benedictines of Mary, Queen of Apostles, has debuted at No. 1 on Billboard magazine’s Classical Traditional Music Chart. The album also earned the No. 2 spot on Billboard’s new-artist “Heatseekers” chart, which encompasses all music genres.

ANGELS AND SAINTS AT EPHESUS topped a group of classical albums that includes Fifty Shades of Grey: The Classical Album and Downton Abbey: The Essential Collection.

h/t Mark Shea, via Facebook

Two Square Yards

“It won’t fit into two square yards.” Perhaps that statement was on the mind of Saint Cyprian as he wrote about those who would store up treasure in “earthly” riches: “Their property held them in chains…chains which shackled their courage and choked their faith and hampered their judgment and throttled their souls…If they stored up [...]

The post Two Square Yards appeared first on Catholic Journal.

Love Simply Has To Give Itself To Others

An understanding of the Holy Trinity remains incomprehensible to us, a mystery. Our finite human minds cannot reach around the totality of its truth and assimilate all that it is. But because of the revelation of Jesus Christ the reality of the Holy Trinity is intelligible to us. While we can’t grasp the nature of [...]

The post Love Simply Has To Give Itself To Others appeared first on Catholic Journal.

The Familar Chaos, But Still Taken By Surprise (rant warning)

For some years, our schola at the parish has worked hard to get away from singing hymns in place of propers. This has been a huge relief, and an end to endless headaches over finding the right hymns and additions.

Now that we have Mass propers, we ha…

Pentecost Propers, St. Peters Rome

The Songs of the Angels

A beautiful little boy in my old parish died this week from a sudden accident. One moment he was playing, the next he was seriously injured, and the next, he died.

Death is not ok. It was never supposed to happen to us. Jesus changed it, and made it the door to eternal life, but it is still a bad thing. He cried to see the cup before His eyes, on the night He was betrayed.

I think of this wonderful, promising little boy, baptized and of tender age, standing at the choir Mass with his family in the front row, with their hymnals open. I hope we did right by him. I hope that our prayer together prepared him to sing today with the angels.

O the happiness of the heavenly alleluia, sung in security, in fear of
no adversity! We shall have no enemies in heaven, we shall never lose a
friend. God’s praises are sung both there and here, but here they are
sung by those destined to die, there, by those destined to live for
ever; here they are sung in hope, there, in hope’s fulfillment; here
they are sung by wayfarers, there, by those living in their own country.
-St. Augustine

Freedom in Communion

“Only the Spirit can awaken diversity, plurality and multiplicity, while at the same time building unity. Here too, when we are the ones who try to create diversity and close ourselves up in what makes us different and other, we bring division. When we are the ones who want to build unity in accordance with our human plans, we end up creating uniformity, standardization. But if instead we let ourselve be guided by the Spirit, richness, variety and diversity never become a source of conflict, because he impels us to experience variety within the communion of the Church.” — Pope Francis

(http://www.vatican.va/holy_father/francesco/homilies/2013/documents/papa-francesco_20130519_omelia-pentecoste_en.html)

How fast the chant?

If you sing the chant too slowly, you lose the sense of the chant, you lose the meaning because the chant, the text, becomes less and less understandable.  Yes, you have to understand what the text is saying.  You don’t have to be a Latin scholar to know that (though that helps a lot).  People in the pews have books they can follow, that is true.  But singing the chant too slowly risks breaking the integrity of the text’s meaning.  Try listening to an audio book at a really slow rate of reading. As you turn the pace down, it eventually becomes incomprehensible.

If you sing chant too quickly, you tend to retain the meaning of the text, but you put its sacral character at risk.  The texts are sacred.  They deserve respect and time.  They must not be rushed.  They must be savored.  Chant that is rushed has a nervous, jittery quality to it.   It lacks the essential quality: it isn’t prayerful.  The pace of a Mass must not be lugubrious.  Every Mass and every element of Mass must retain a sense of progress, of moving forward towards a goal.   When you tear through a chant, you might be making progress, but you lose the essential sacral sense.  Every word of the chants are the voice of the Church singing with Christ’s own voice.  Christ is the true Actor during Mass.  He borrows us, the baptized, and uses our gestures and song.

More from Fr. Zuhlsdorf here

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